The thing is, now we know where to go when we specifically want “beautiful” circles. Or at least those of curated dimension.
I myself can see the utility of these tools, and with the sturdy stainless construction, they should indeed last several lifetimes. If I did the kind of work they’d facilitate, I’d buy 'em since the price looks reasonable to me.
But the copy language does seem to invite a bit of teasing:
Graceful progressions of sizes in curated sets of circles find a balance of scale between the maker, the studio, and the work.
I tend to snicker at nearly every use of the word “curate” outside of actual museum contexts, but that’s largely because I was raised in a doublewide and I haven’t gotten out much since the demise of the train races at Cajon Speedway. Most people hereabouts are classier than I.
