Most of my studio professors seemed pretty happy where they were, but there were definitely a couple malcontents like that. One of the main illustration professors was perpetually simmering with low-level rage at the fact that he wasn’t born at a time when he could have had a career during the golden age of magazine illustration. He was also the one who directly asked me during a portfolio review, “What do you have to offer that can’t be outsourced to Korea?” which is another infuriating example of “things I’m still mad a decade later that someone said to me, but dang it, they were right.”
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