Charles Burns brings his haunting cartoon trilogy to a close with Sugar Skull


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Interesting to hear Burns talk about the use of technology, which may have lead to slightly softer pallet of colors than his early work. He never had the harsh black and white of Robert Williams, whose style would burn a hole in your retina.

Viva El Borbah!

Black Hole is goddamn wonderful, I would pay the monies to see the film of it.

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