Maybe he has similar experience to Kinky Friedman.
"In those days I was so high, I needed a stepladder to scratch my own ass.”
Maybe he has similar experience to Kinky Friedman.
"In those days I was so high, I needed a stepladder to scratch my own ass.”
That would be a way to do it, although a lot of very recognizable names have been popping up as voices for animated characters in Disney-sized films, and some of those names have not been away long enough to be unrecognizable when out and about.
He was on the faculty at UC Santa Cruz teaching math and theater to college kids
which seems like a sensible thing to do for anybody who gets offered a job like that
" The best fame is a writer’s fame. It’s enough to get a table at a good restaurant, but not enough to get you interrupted when you eat.
– Fran Lebowitz"
Did they interview that has been Grimes?
I saw George Thorogood and the Destroyers in a huge stadium once and spent the whole show thinking about how much better they would have been in front of 250 people in some smoky bar.
Not quite pop star, but John Hodgman’s book Medallion Status is about this same thing and it was fairly fascinating.
The thing that amazes me about Suzanne Vega’s snippet is that she’s describing her life in 1990, at which point her best work was still ahead of her - her masterpieces 99.5 F and “Nine Objects of Desire” were years later.
Well, that’s the thing - every generation needs a godmother. You do not have to be first to be one. There was a tonal shift around her time frame, yes she wasn’t unique or 100% new, but nobody really is and she had some groundbreaking songs and helped open the door a bit for a certain new style.
RIGHT?!?! I mean, Solitude Standing is a good album, but 99.9F and Nine Objects are on another plane.
i get what you are saying, but it seems like if every generation has a godmother, it dilutes the point of being called a godmother in the first place.
Do you think there is one godmother and she serves all humanity until the end of time?
Thanks for saying this. I really like her still to this day and I think she deserves credit for her influence and the scene she helped create.
Now that’s impressive.
Most of the musicians I like are not “pop” stars, and have had long careers at the not-quite-megastar level. Such as: John Hiatt, Lucinda Williams, Ry Cooder, Neko Case.
They all seem to have done pretty well and stayed on an even keel.
It was just a pilot scheme.
Tangentially… I’m actually not sure anymore what “pop” even is. Seems like a kid that make the high score table. Like where on the pop charts does one have to be. I grew up listening to the artists you listed.
So your comment made me curious about Lucinda Williams I hadn’t thought about her in while.
LUCINDA WILLIAMS | full Official Chart History | Official Charts Company
Looks like her top position on pop charts was 68. What I don’t know is what the cutoff is that makes it not pop anymore.
And yeah… There’s something to be said for modest sustainable success for sure.
sure, why not?
I haven’t had a fuckin clue about who won the Grammys since about 1995 or so. Pardon me whilst I scrub my dentures now.