GURPS Banestorm PBBB narrative thread

Thwip

They’re alive because you did your part. Focus on that, and when you’re ready get up because your fellows need you

Thwip retruns De Courcy’s gaze.

“Win I was yung I was told that courage was bein afraid an doin’ what y’ hafta do innyway.”

He grabs his rifle and accepts any help in standing De Courcy offers. The tremors continue to pass though his body as he investigates his rifle. He checks the weight and does a mental count of the shots he fired. He shouldn’t need too long to fill the air chamber up again. The bullet tube should be back with his horse. No need to waste that.

“I don agree. Courage is lernin’ t’ live wit t’ consequences ofye actions. Mebbe I’ll get that figgerd out wunday”

Thwip looks at the fallen centaurs and heaves a deep sigh.

– You should have thought before you shot. You’re so clever why couldn’t you think of a way to let everyone walk home? You’re supposed to be making the world better, remember? Get better, you big idiot. Get better. –

He looks to De Courcy again.

“Tanks. Y’were kind t’ dootat.”

He walks back to his horse, lost in his thoughts.

Ranar Bolijyr

Ranar thanks Aronn, bows quickly and takes a brief break to clean up and wipe off before the blood gets too congealed in his beard and armor. That done (well enough for now anyway), he sets to switching out the horses and stowing the saddle and tack from Blue Hawk’s horse on the roof.

GM POST

After Hawk and Ranar get cleaned up and the horses are rearranged, the group sets off down the road again. Thwip rides close to the carriage, Hawk stretches out on the roof to rest and the wounded horse trails on a long rein behind. De Courcy is on point while Jibrīl takes the rearguard.

After another couple of hours, the increasingly unkempt dirt track peters out entirely. A stiff wind ruffles the grass on the deserted hilltops as birds circle overhead; a refreshed Hawk watches them keenly.

“We’re in the neighbourhood; think you can find it?” says Aronn to Thwip.

Blue Hawk

Hawk is not offended when he is told to rest on the roof of the carriage instead of within the carriage himself; it seems unnatural to be unable to see the sky when travelling. He hadn’t been sure that the roof could support his weight, but, now knowing that it can, such a position seems more than fair. He drops into his trance and, after a few minutes, feels the energy of the spirits begin to revitalize him.


The healer’s eyes spring open automatically most of an hour later, feeling refreshed, but still sore. He picks up his drum and calls to the spirit of the shaman who had originally trained him in the chants and rhythms of healing, a man who was more like a father to him than any he has known before or since.

In trouble again, young raptor? he hears an amused voice speak in his head. In the heat of battle, the Wanderor had felt his mentor’s presence, but had regretfully had no time to converse, but now, letting his mind linger on the spell, a fuller connection to the spirit world can be made.

I failed to watch my back, and was injured. I am sorry to trouble you… he begins.

Think nothing of it, the spirit interrupts. We spirits all know the importance of your quest. We will render aid as you require it, if you properly call for us to do so. And I would never refuse you the touch of healing, anyway. We together have seen too much trouble, and you have far too much more ahead of you to be distracted by pain at such a time.

Hawk feels a warmth at his side, and the pain dulls and recedes, leaving only a pale shadow of the original injury, an ache much more easily ignored than the pain that his previous attempt at healing had left in his side.

I will leave you now, his mentor’s spirit says, for there is much I wish to discuss with you, but cannot, until you learn more of your quest. Be well, my student. Before Hawk could object, the presence vanishes, and Hawk is once again alone on the roof of the carriage.

Hawk mourns the loss of contact for a moment, but then remembers that he is being paid for his time and connection to the spirits. He must use both efficiently. He drops back into his trance, and allows the energy of the spirits to restore what was just spent in calling his mentor forth.


When Hawk opens his eyes again, they are another ten minutes down the road, but the landscape is much the same. His own wounds well-tended, he looks around at the others and their horses, seeing that the former carriage-horse is still in much pain, and Ranar, while less hurt, is also feeling some discomfort. He gives the same instruction to Ranar that he once gave to de Courcy, to bring to mind one he has known, who has once laid a kind hand on him, and then calls the spirits forth with his drum to perform the healing.

After checking with Lord Arron, who assures him that they still have at least another hour’s travel ahead of them before they are in the vicinity of the fortress they seek, the shaman descends from the carriage and provides more healing to the horse, apologizing to the creature for his own inattention, which forced him to claim the spirits’ healing power for his own healing and thus inflict an extra hour of suffering upon the poor creature. He calls for the spirits of the horse’s herd to come and heal it, which, a horse’s spirit being much larger and stronger than a man’s, exhausts him even more than healing himself did.

When the horse is healed, and looking at him with an expression that Hawk can only translate as “appreciation,” the shaman is unfortunately, completely spent, and too tired to return the affection. Almost completely drained of all energy, Hawk manages to lift himself back onto the carriage, and then collapses into the restorative trance - it would have taken an effort of will to not be in the trance at this point.


When the tribesman’s eyes open again, the road has become noticeably rougher. He checks to see if that’s what disturbed him, but no, he feels completely rested, and did not wake with the normal alarmed feeling which accompanies being jarred from his trance, or awoken by someone calling his name.

With nothing else to do to pass the time, and not much interested in socialization, he indulges in some bird watching, seeing if he can identify the various kinds of birds which fly overhead, either circling their carriage, or swooping down to get a better look, or watching from the trees, or just flying overhead and ignoring them altogether. It is as he’s looking at a particularly interesting scavenger that he can’t identify, circling overhead, that Lord Arron speaks, letting the party know that they are close to their destination. Hawk’s attention immediately shifts, and his gaze sweeps the horizon.

If retrieving this thing involves danger, and since Lord Arron has hired mercenaries to help him do so, it almost certainly does, then the danger will probably be near to the fortress. Hawk keeps his senses alert and watchful for any danger that might appear as they approach the place they are searching for.

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Thwip

Slipping down from the horse, Thwip assembles his “Short Walk” kit from his bags.

– Parchment, ink stone, quill, water skin, spy glass. What else? Goggles, burning glass, rifle, second bullet canister… may we need not to use them… The sword just for show. Bring the Greek Fire? Better not. Grass fire is the last thing we need. I should have bought that lodestone and string when I had the chance. They always point to metal. As for the painting –

Thwip gets the old parchment from Lord Aronn and looks around the landscape. Obviously not here. Unless the buildings have been buried by the shifting lands. That would make for a host of problems. He chooses the highest looking hill from his perspective and shoulders his gear. Gently tucking the parchment into one of his larger pockets he turns to his companions.

“Gonna need t’ get hi’er. Also gonna neet sumwon gooddat bushwhackin’ t’ watch m’back while t’ restaya stay and proteckt ‘islordship incase angry centaurs com looking furrevenge. Ifin I do or don’ see anythin when t’ sun has passed three hanz I’ll comback.”

Jibrīl Al-Las’as

I will go with you, Thwip. Let’s see what we shall see.

GM POST

Thwip and Jibrīl slog up to the hilltop together.

The wind whips the grass while the birds continue to circle. While both of you keep a sharp eye out during the climb, the thought of a centaur javelin in the back is never far from your minds.

After an invigorating climb, you survey the view from the nearest peak. A few things are apparent:

  • There are a lot of hills. The elevated countryside continues to the horizon.

  • You can see a chalk layer! Unfortunately, though, it’s a layer; the chalk feature appears on every hill of sufficient elevation to reach it. There are at least half a dozen hills of sufficient height within sight; it would take days to explore them all.

  • You cannot see any buildings. However, your current vantage point would not let you see the remnants of a building ruined down to the foundations; that would require either close-up inspection or perhaps an aerial survey.

Thwip

The goblin accepts Jibrīl’s company with a small smile and a nod. “Tanks. Tisway.”

[Star Wars Wipe]

Wanting a chance to practice his Arabic, Thwip speaks to Jibrīl in his thickly accented manner as they stand upon the hill. Handing his spyglass over, Thwip asks him to see how the rest of the party are getting along. He then takes out his writing utensils and prepares for a rough sketch of his own.

In Arabic: “If vat I know of zee weazur of zis land in the early schpring is true, zee direction of zee clouds and zee angle of zee sun indicate zat zee paintur vas looking tovards zee XXXX. Zee colors of zee buildingks are vite so it vas not during zee ‘golden hours’, as zee painters call it.”

Thwip closes his eyes and tries to imagine how the world would look to a hawk.

– Working on the assumption that our painter was a skilled observer: They could see the tops of the buildings which means that he would be at a high vantage point himself. Not quite as high as the chalk layer but high enough. The line of trees are man-made, suggesting that this was farmland divided up among serfs before the military moved them out. If my guess is correct and this was farmland, there would have to be a larger source of water nearby than a well. Is that small building sitting on the edge of a reservoir or pond? It is some sort of deep depression with steep sides regardless. Unless this has all been overgrown by forest, the marks of such reworking of the land should still be seen even five hundred years later. And if it has been overgrown by forest that would make it all stand out from this hill land. –

Opening his eyes, Thwip begins drawing his layouts as if he were guessing the interior of a machine. Placing the assumed position of the painter on middle the bottom. Row of buildings in the upper right. Mystery hill on the upper left. Zig zags indicating where he thinks the remnants of the tree lines would be, leading to the small building and the mystery depression.

“Undless I am very mistakund, ve shoult be looking for a depression near two tall hillz vere zee land makes a shape like ziz I drew. Ve also schoult look for a body of vater. Vat do you zink?”

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Ranar Bolijyr

Having taken some time to more thoroughly clean his gear and check his crossbow, Ranar begins pacing through the grass, crossbow at the ready. After nearly getting left behind back at the square, he’s not going to get too far from the carriage. But being still, exposed in the grassland at the end of the road makes him itchy. He considers going to check on Jibril and Thwip, or taking a look forward beyond the end of the track (people don’t often make a road to nowhere), clears his throat to call out to De Courcy and Blue Hawk, but suppresses the urge and goes back to pacing quietly.

Thwip

The goblin blinks twice. Where he had though that he was monologuing to Jabril turned out to be a case of him lecturing a low shrub. He looks around to find the dashing Wazifi ten paces behind him.

– Wow. He’s good.–

Waving his drawing around to dry the ink before folding it and placing it into his front breast pocket, he decides that there is no point in standing around.

“I zink zat ve shouldt head back und discuss our problemz of similar landzcapez vit zee others.”

Thwip stares for a few seconds longer to make sure he’s not talking to another shrub again.

“May I haf mein spyglass back? Zank-you. Let’s go.”

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Ranar Bolijyr

Despite his attempt to stay close, Ranar’s pacing had gradually lead him farther from the carriage. He turned, realized how far he’d gotten, and walked back. As he approached from west to east he considered what the goblin had said. He looked at the angle of the shadows, looked at his hands, considering the size of the goblin’s hands, and called out to the others "Hey! Think it’s time we - we check - or - they’ve been gone awhile. Maybe we should- "

As he spoke he turned toward where Thwip and Jibril had gone out of sight over a hilltop, and saw them working their way back down the hill. “We were just about to go lookin’ for ya! So, what’s the news, what direction are we headed?”

Jibrīl Al-Las’as

“There are many potential sites around here - but even from the highest hill we weren’t high enough to see any ruins.”

Jibrīl gestures to the circling birds. “…Hawk? Could you see what’s up? We’re looking for signs of ruins, wall foundations, regular shapes…”

Blue Hawk

Hawk is scanning the horizon for threats, and tenses when two shadows appear over the hill, but it is just the Wazifi-man and the green-man returning.

The mine-man asks about their destination, but the Wazifi-man seems to shrug him off and approaches the tribesman, asking him if he can look upwards. He is unsure of what the meaning is, as it is still too early for the stars to be up. However, the Wazifi-man has given Hawk an idea.

First, though, the proprieties must be taken care of. Descending from the roof of the carriage, he stands up to the taller Wazifi warrior, and fixes him with a glare.

“I am not called ‘Hawk.’ I am called Blue Hawk, and I am a shaman of the northern tribes. To say just part of my name as if it were the whole is an honour given to other shamans, to tribe-chiefs, and to close family. I fixed lack-of-knowledge [once] (GURPS Banestorm PBBB narrative thread) today, and I will let a second time pass as not much caring. But a third insult I will treat as an insult to me and, as I am a shaman, to the spirits themselves.” That speech finished, he nods curtly and takes a pivot step to include Thwip in the conversation, and his glare shifts from “annoyed” to “professional.”

“I do not know what will be gained by seeing what is up, but perhaps I can help by seeing what is down. Can you show me what place we seek looks like from above?”

My apologies, I mean no offense.

Jibril tries to recall Aaron’s parchment. But of course, it was from before the vault was built, even if it was of the correct location.

Maybe that…village(?) might be visible?

We are looking for an entrance into an underground vault. Aronn said it was long-abandoned. Perhaps there might be ruins? The remains of a doorway? Even if just ruins remain, perhaps the shape of the buildings are preserved?

Jibril picks up a stick and scrapes it in the ground, drawing a crude rectangle.

Something like this, perhaps? I know not.

Thwip

“Blue Hawk. I’ll 'membertu.”

Thwip pulls out the sketch he made while chatting with the shrubbery and unfolds it. He places it on the ground and puts a small stone to keep it from blowing away. He then does the same with the painting. He points back and forth between them and Jabril’s earth map as he goes into “Should-have-been-a-wizard-school-professor” lecture mode.

“We got nothin’ but hills as faras t’ eye kin see. Lotsa hills wit’chalk. Ifin I’m rite, we’re lookin’ fir some sorta markins in the land tat’ follow teese lines atrees. Tere seemsta be a buildin’ near a depression tat may beeya pond or sumtin’. The villa onta hill is shirly like Jabril smap.”

Thwip pauses and scratches his chin.

“I wus tinkin’ of tryin’ t’ build a giant kite big ‘nuff t’ carry a man… I haffa sketch of t’ design in mybag… But I dint tink to buy t’ supplies fir tat befir we left. Ifin you got magik to do t’ same, that’d save sumtime. Ifin terez a forest were t’ plants in t’ paintin’ have grown wild, tat’ll be goodtoo.”

Blue Hawk

Hawk maybe understood half of what just came out of the green-man’s mouth, but with context from the map and the gestures, he thinks he has a good enough mental picture to do this.

The tribesman pulls out a roll of parchment from his kit. It looks like someone took a very long time carefully writing out a story in the runic Northern language, as the penmanship is precise and exquisite, and the text takes up nearly Hawk’s entire chest in small runes, except for some space around the edges.

In the bottom margin, written sloppily in Anglish, is a much shorter message:

I ATEN’T DEAD.

Hawk ties the parchment to his chest with cords of leather, and then picks up his drum. Taking his time to do the signal correctly, he pounds out a rhythm on his drum, sounding more like the one he used before getting onto his horse than the one he used for healing. He asks the spirits to deliver him a raptor: eagle, falcon, hawk, any would be acceptable.

Eventually, a bird detaches itself from the formation overhead, and alights on Hawk’s arm, and the shaman looks deeply into its eyes, the rhythm of his drum changing, growing louder, more complex. The bird still perched on his arm, the tribesman clutches the drum he is still tapping on to his chest, and lies backwards on the ground. The drumbeat builds to a climax, and Hawk collapses, unconscious.

The bird lifts its head, peering down at Thwip’s map, and then launches itself from Hawk’s arm with a loud cry. It circles, searching for updrafts, and climbs high into the air, rejoining its comrades for a moment before deliberately making its way, at speed, further into the chalky hills.

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Blue Hawk

The spirits work their will, and Hawk’s consciousness leaves his own body and enters that of the hawk. There is no disorientation: he is a hawk, has always been. He cranes his neck to look at the map, and then launches himself. He means to say, “I will return shortly,” but the closest translation to the cry that emerges from the hawk’s throat would be, “I fly!”

Even with the powerful launching thrust of his talons and the flapping of his wings, the raptor does not rise high immediately; he needs help. Luckily, the sun is shining strongly today, and there is an updraft to carry him higher. He locks his wings and spirals upward, losing a bit of altitude reach time he circles, but gaining it back and much more each time his wings catch the warm air and lift him skyward.

Soon the bird is circling with his brethren, who greet him, and he returns their cries, but does not linger. He rises higher still.

The Hawk within the hawk wishes to dive, to loop, to hunt, to cry out, but the shaman repeats the Mantra of Self. It is not necessary for him to do so, as he cannot get trapped in this body, but it does allow him to remember his priorities. The fortress.

The hunter soars over the hills, his eyes catching glimpse of something which is far, and then shockingly near as the hawk’s eye focuses on it. It is not long before the raptor finds what the shaman seeks, and something else, too.

The shaman feels suddenly tired, and knows that if he stays longer, he must either choose to exhaust the spirits’ power in him, or the power in the spirit stones. Neither is an acceptable situation, so he closes the hawk’s eyes, and a different Hawk opens his own.


With a sharp intake of breath, the shaman awakens in his own body. He wants to let out a wordless cry of victory… but that is the bird speaking, not the man. Unlike when he left his own body, now there is a moment of disorientation. The spirits, it seems, do not think he needs as much help finding himself at home within a man’s body as he does a bird’s.

To reacquaint himself with the concept of speech as much as for the centering effects it provides, Hawk soundlessly speaks the Mantra of Self, his jaw and tongue working, his lips and voice remaining still.

The Mantra is needed more for those who undertake the Change, and make their own body into that of a beast, for too much time spent as a beast can make it harder, or even impossible, to turn back. When borrowing a beast’s body, that danger is not there, as the shaman will return to his own body naturally when the spirit energy runs out. For Hawk, right now, the Mantra just makes remembering whose body he’s in a little easier.

Finally, the tribesman sits up, beginning to untie the parchment from his chest with his win… with his hands. He takes another deep breath, points in a westerly direction, and speaks.

“On ground. That way, an hour slow-ride. Two squares, circle between, and only small traces of stone.”

The shaman then points in the opposite direction. “That way. Five minutes fast ride. Six horse-men,” he pauses, and then corrects himself, “centaurs, watching us, waiting behind ridge.”

Hawk pulls himself to his feet, rolling the parchment as he does so and replacing it in his pack. Slowly and wearily, he makes his way back to the carriage and climbs back on top. “With this information, do what you think best. Too tired to fight now.”

He waits to see if the others have any questions, as he’d prefer to answer them now, instead of being interrupted once he enters the recovery trance.

Ranar Bolijyr

Ranar gazes off to the west, in the direction the track had been going, over toward where Blue Hawk had pointed, and then back east to the ridge. “We’ve been just - just sitting here awhile and they haven’t attacked. We should get moving. Get somewhere with as much daylight left as possible. If they follow, we’ll find out soon enough.” He looks to Jibril and De Courcy. “Maybe we stick a little closer this time - not get split up or singled out with danger behind and unknown ahead. Um… No more centaurs waiting up ahead, right Blue Hawk?”

Blue Hawk

Hawk shakes his head.

“Way is clear, here to fortress. Nothing of interest except… Except small animals.”

Thwip

Thwip studied Blue Hawk closely as he entered his mental transference with the fowl.

– That is what happened, correct? I must remember to ask at the first opportunity.–

He studies Blue Hawks breathing rate. He watches the eyes for dream movement. Movements subtle in the fingers. He wants to check for a pulse but he doesn’t know how sensitive the magics are and does not.

Then Blue Hawk comes back to his senses and imparts his information.

Thwip scowls at the news of the centaurs. Hasn’t there been too much bloodshed already? “Tere’s somethin’ odd ‘bout how they’re actin’ im’thinkin. Ambushin’ don’ seemta match t’ screamin’an rampagin’ from b’for. Maybe they’r jus’ waitin’ fir us t’ go?”

– Maybe they’re guarding the fortress? Charging in and killing one or two people in a wandering party would be a good way to discourage people from proceeding further. Then again, it might just be a coincidence. Should I share this suspicion? Yeah. I think I can trust these pinkies now. I still don’t trust his Lordship but he’s dead without us and that’s close enough.–

“Couddit be tat they’re guardin’ t’ fortriss an’ they donno how to deal wit’us cus t’ reggalar plan offattakin’ failt?”