The Angel arc was interesting and problematic. It was an interesting morality play in that it did for a while serve as a warning about stalker-like behavior and abusive and exploitative relationships. Angel appears to be a “good stalker guy” until the moment he has sex with Buffy, then suddenly: nope, he’s just a stalker. They’re just bad guys.
This gets ruined at the end of the arc when Angel gets his souls back right before Buffy kills him, and it’s whoops! He actually was a “good stalker guy.”
Maybe Whedon did that to up the emotional stakes for Buffy, or because the Angel spin-off was already in the works, but that ending watered down the warning about stalkers and abusive men and relationships, and was a huge disservice to the viewers.
The MeToo revelations about Whedon do not inspire confidence at all. Honestly, I wish that writers wouldn’t even play with the idea of “good stalkers” because that is not a thing.
But we should probably stick to Nolan movies on this topic.
Whedon got too much credit early on for having “strong women characters”. If you really looked at it, most of his “strong women” had supernatural powers or were unrealistic in some way. He rarely presented typical women as being strong. The one exception might be Zoe from Firefly. Maybe. I still enjoy Firefly, but what we now know about Whedon makes me glad the show got canceled. I have a feeling things would have gone off the rails at some point had it continued.
Looking at the top 15 earning films ever as I did yesterday made me realise I’m not the target audience for high earning films. Except Barbie at number 15 (and maybe Frozen 2. I honestly can’t remember it and I don’t think it was a big deal in our house). But the rest were pretty much awful if I saw them or sequels to things that were awful.
Aside from the sarcasm, I’m glad someone didn’t write a loving review for a film. Honestly, I didn’t bother going to see it since Nolan has a problem with making his films make much sense. I’m sure something based on a book isn’t hard to keep coherent, but I always feel that certain films should be done by certain directors and Nolan doesn’t seem like the biopic kind of director. It’s not because he’s one note, but that I don’t think he can bring a critical eye that such a film needs. Some deconstruction of the biography or the subject of the biography should be part of the film since often biographies are rarely critically examined by readers. So I feel it’s the job of the director and writer for the adaption of the bio to film to give the audience a chance to see through that lens.
Yeah, I think it’s often okay to say that (maybe along with “in my opinion”).
Some popular movies are filled with racism, sexism, classism, queerphobia, etc., and I think it’s okay to say that enough of that in any particular one makes it unworthy of support.
There was a discussion thread on BB about this when Oppenheimer came out about all of the excellent films about the bombs and WWII that were made by Japanese filmmakers.
That or just have the spaceship fly itself. Putting a separate robot in the loop at all was pretty silly.
And so, so many terrible, poorly-thought-out and nonsensical decisions made by just about all the characters. There was some fun science and physics at certain points in the film but it was hard to enjoy that with all the other stuff that just made no damn sense.