The kids are alright.
No paywall version:
"There’s one big panel in the second or third installment of In The Shadow of No Towers where I’m trying to take a nap at my drawing table. Osama bin Laden is on my left with a scimitar, while George W Bush is on my right with a gun to my head,” he says. “I think one of the people at the New Yorker said that I was crazy, that I was talking about those two things as equal threats. When that got back to me I said, ‘No, you’re right. America is a much larger threat.’”
Now Spiegelman is gearing up for the same war he’s been fighting since he first started drawing cartoons more than 50 years ago. The characters and context have changed, but his core ethics have not. In fact, the more I talked to Spiegelman, the more I got the sense that the Maus censorship has shaken him more than any of his previous brushes against authority. When you consider the many years children have turned to the book to better understand the Holocaust, it’s not hard to understand why.
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