This just dropped, by a friend of mine.
Over the course of 10 minutes, Padilla laid out an indictment of his field. “If one were intentionally to design a discipline whose institutional organs and gatekeeping protocols were explicitly aimed at disavowing the legitimate status of scholars of color,” he said, “one could not do better than what classics has done.” Padilla’s vision of classics’ complicity in systemic injustice is uncompromising, even by the standards of some of his allies. He has condemned the field as “equal parts vampire and cannibal” — a dangerous force that has been used to murder, enslave and subjugate. “He’s on record as saying that he’s not sure the discipline deserves a future,” Denis Feeney, a Latinist at Princeton, told me. Padilla believes that classics is so entangled with white supremacy as to be inseparable from it. “Far from being extrinsic to the study of Greco-Roman antiquity,” he has written, “the production of whiteness turns on closer examination to reside in the very marrows of classics.”…
Padilla is advocating reforms that would “explode the canon” and “overhaul the discipline from nuts to bolts,” including doing away with the label “classics” altogether. Classics was happy to embrace him when he was changing the face of the discipline, but how would the field react when he asked it to change its very being? The way it breathed and moved? “Some students and some colleagues have told me this is either too depressing or it’s sort of menacing in a way,” he said. “My only rejoinder is that I’m not interested in demolition for demolition’s sake. I want to build something.”
Check out the piano player trying to keep up with her key changes and flat-out wrongness. Facial expressions are priceless!