Mr. Robot Mr. Robot Mr. Robot šŸ‘ØšŸ¤–šŸ‘ØšŸ¤–

Good for him indeed. The final episode of the season is so top-loaded with expectations at this point. I’m glad he got the credit before things could go off the rails completely.

Wednesday’s episode is going to be epic. Whether it is an epic success or failure is completely up in the air.

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Right???

I haven’t finished the last 20 minutes of the next to last ep, and I’m not even sure I want to.

Frankly, I’m starting not to care.

This show got off to such an awesome start, but this current season has been disappointing to me, to say the least.

I just kept hanging in there, waiting for it to get better… which it did for a second, albeit marginally.

Now, I’m just kinda… bored with it.

You’re right; a lot is riding on that finale. but I just can’t bring myself to even get excited about it.

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More anxious than excited myself. NSFW (Do we still do that around here?)

Yes.

I was anticipating the 2d season.

Watched the first episode sometime the week it aired…meh.

Watched the 2d and 3rd episode by the time the 6th episode was airing. Meh.

Heard a few things, so I soldiered through them. Got a little excited about it and now once again I’m at meh.

I think I’m through Ep11 so I guess I just ep 12? Maybe Thursday night I’ll get around to it.

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Okay, that’s it.

#Fuck this show; I’m done.

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At least Tyrell Wellick is a real boy. If they had pulled some sort of split personality crap there, I would have put my boot through the TV..

A real lackluster season.

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This was not as hot a season as I had anticipated.

[Commences reading backlog.]

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There is that, but I still don’t care.

All this drawing the exposition out needlessly and trying to throw in ā€˜clever twists’ at every turn has backfired as far as I’m concerned.

It’s not just Elliot that’s an ā€˜unreliable narrator’; Sam Esmail has become an unreliable director.

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Not trying to keep you here. I’m still interested in seeing if season 3 goes somewhere. Not heavily invested though.

most of the ā€œbig revealsā€ have been disappointing. Far too obvious. Some of the simmering sub-threads have held my interest.

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Didn’t say or mean to imply that you were.

I’m just done; I have no problem whatsoever abandoning a show if it disappoints me too often.

I quit True Blood before it finally ended.

Ditto for Dexter.

And mostly recently, Teen Wolf…

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You dodged a bullet with Dexter. What a stinker that turned into. :poop:

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Most television disappoints me. I am not a big time TV watcher. This show has captured my interest, despite the flaws. I prefaced my comment that way so it was obvious I am just talking about my own interest. Not trying to say ā€œstick around and give it another chanceā€.

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Oh, I know.

I still read the recaps; and shit like what the writers pulled on that fandom is exactly why I have no problem bailing on a show.

Lucky for me, I’d found Breaking Bad by the time Dexter was in it’s death throes, so I invested my energy into getting caught up in time for the finale of a show that was actually worth my time.

The writers of Dexter pretty much shat on their viewers, and I disavow any knowledge of anything after Season 5.

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So I just finished season two, and although I can understand the disappointment some folks are feeling, I’m not sharing it.

The only reason I’m finding all the twists tiresome at all is knowing I have to wait a year to see where it’s all leading, and then first I have to re-watch the whole thing to get back up to speed.

For mine, Esmail is pulling it off, and in fine style. I’m just not sure this show is suited to anything but binging the whole damn thing in one stretch.

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The pacing (this season especially) doesn’t fit the weekly release schedule well.

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For several scenes in ā€œMr. Robotā€ Angela Moss reminisces likening herself and Elliot Alderson to Claudia and Jamie Kincaid, adventurous and precocious child characters in From the Mixed-Up Files of Mrs. Basil E. Frankweiler, a juvenile novel from E. L. Konigsburg.

This week I finished another Konigsburg juvenile novel, (George) in which a precocious twelve-year-old Benjamin Dickson Carr has an adult male personality/voice inside him, the title character. (George) becomes part of Benjamin when Benjamin’s parents divorce. Not quite a dissociative disorder personality, as Benjamin doesn’t black out or have memory lapses while George ā€œsteers the bodyā€, it’s more like Felix and Oscar from ā€œThe Odd Coupleā€ quarreling in the body, and not always aloud, but in the mind. I did think of Christian Slater’s ā€œMr. Robotā€ character, and wonder if the show has allusions to additional E.L. Konigsburg novels.

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