For sure, but that was kind of my point. He did his electronic music, the advert music with it to fund his experiments, made the soundtracks to all our childhoods (via Carl Stallings’s orchestrations of the Quintette songs). Bob Moog worked with him and his contract prevented him making sequencers I think, Scott had used phone relay equipment as sequencers for his synths.
Whenever I want to impress on people how influential he was I say “it’s a cartoon, and they’re chasing around a factory. You hear this.”
And stick on Powerhouse.
(Stalling version).
I don’t think I’ve heard this in decades but I remember liking this version:
