For some reason my inner voice is hearing your response in an Austrian accent and I am wanting to hear more than this short precis.
Do go on… ask me more
Shhh
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I knew a audiophile who had a really crappy car, but a really nice set of MartinLogan speakers with a chair exactly positioned in the sweet spot.
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Is the audiophile thing still a thing when it comes to 3rd millennium popular music though, when everything is pitch-corrected and snapped to the grid in a DAW? What even is “fidelity” when it comes to listening to a re-amped guitar DI output that’s being run through 3 different cabinet simulations?
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It sounded three dimensional-- from two full range speakers. Probably didn’t create the stadium rock experience-- iirc, he was into jazz. I remember lending him a binaural CD-- it sounded absolutely terrible on speakers; even his.
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These days even when it comes to jazz, the most authentic way to listen to Snarky Puppy, is through youtube compression.
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There’s a couple albums that I can hear the difference with a high fidelity copy on quality equipment. For certain listeners for certain genres, I get it.
But most people won’t notice, and most music, frankly, isn’t worth it. For some, like the DIY punk and folk sort of stuff I dig, it’s actually sorta detrimental.
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Still cheaper than most NFTs.
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Including The Chordettes?
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