Batman keeps getting remade because it reflects the ideology of the kind of people who fund movies, ie that crime is caused by feral poor people, and if a billionaire would just punch them hard enough then crime would stop.
At the core heās an aspirational figure. When kids dream of being superheroes, stupid reality dictates that theyāll never grow up to be a superpowered alien or a demigod or a shape-shifting mutant. But working out and studying hard? Thatās something they could really do! At least, if they really wanted to!
Heck, in his original origin story he spends twice as many panels trying to decide on a theme for his costume than he spends actually developing the skills heāll need to fight crime.
Yeah thatās one of the problems I have with Batman. He is some kind of āsuperā and thatās super-rich.
Wealth is seen in the US (AFAIK) as an entirely positive trait. Someone has lots of money so he must be doing something right and thatās often equated with being right/good. This probably springs from the puritan ideology thats dominant in US society even today.
But here where I live wealth is often seen as slightly suspicious, knowing that money is not a judge of character in itself but the source of the wealth can be an inheritance or the suffering of others.
Batmans wealthy background is a narrative necessity (he needs those expensive toys) - I get that, but I wouldāve preferred a different explanation.
Nothing to do, of course, with the people who pay to watch those movies.
I like Batman, he was always my favorite superhero and he is certainly archetype material.
But Iāve never thought that batman keeps selling for any other reason than ātheyā keep making things to sell. (They being DC comics and anybody who bought a license to make stuff)
I mean, even transformer sells and its not objectively good by any other measure than money.
Junk food sells really well but we donāt need to elevate it to a status of iconic in order to explain why we crave deliciously empty, gloriously fattening calories.
And of course the reason that Batman is relevant to the pop culture, is that its the only culture around.
Caveat emptor?
I am looking forward to the Google Doodle on July 23.
They seem to have dropped the āSherlock Holmesā aspect of the Worldās Greatest Detective.
Penguin: blue-blood kingpin of a criminal empire.
Riddler: manicured genius-for-hire
Catwoman: cultured jet-setter
Raās al-Ghul: immortal aristocrat
Two-face: Former District Attorney
Poison Ivy: scientist
Mad Hatter: scientist
Mr. Freeze: scientist
Scarecrow: psychiatrist
Harley Quinn: psychiatrist.
Joker: unknown, but doesnāt seem to worry about money.
Killer Croc: āferal poor person.ā
Thatās one for twelve, off the top of my head. Can someone reference a storyline where āferal poor peopleā cause more than their fair share of crime, or get more than a fair amount of snot beaten out of them?
It was a āferal poor personā who killed Bruceās parents in the first place, and Batman does spend a certain amount of time busting the heads of no-name thugs who are always shown as being ill-dressed and inarticulate.
You do have a good point, but itās also true that the unnamed āpoor thugsā themselves make up a group on par with one super-villain.
Iām no expert but I suspect dealing with the criminal escapades of the āferal poor peopleā forms his quotidian routine and that the more āaristocraticā crime lords, if you will, are the more interesting (interesting because bigger value crimes) that actually make it into print. Feral poor people are not only āwith us alwaysā but theyāre also boring and monochromatic.
What hit my ear wrong was the notion that Batman operates in a world where crime is ācausedā by a tribe of the contemptible unwashed. Sure, goons are employed, and they get their skulls cracked plenty, but are they the ācauseā of the elaborate calamities Batman is most famous for preventing? Seems to me Batmanās Rogues Gallery is second only to Columboās in its number of moneyed and cultured antagonists.
But a fair point about the mugger that killed the Waynes, tho I think theyāve made efforts to give that guy some dimension over the years.
Superman: Hercules
Batman: Odysseus
The real heart of Batmanās enduring appeal lies in something that Neal Stephenson wrote in Snow Crash: that every American male, up until about the age of twenty-five, believes that, if he really wanted to, he could be the biggest badass in the world. Even though he inherited a fortune and had the genes to become a world-class gymnast and martial artist, Batmanās real superpower is his motivation.
I canāt say I care too much about the silly debate going on above. Heās a great and appealing character and it is no surprise that he has continued to be re-adapted. Sure, itās always nice to see fresh content, but in Batmanās case Iām happy to see him keep being remade, because each remake take has genuinely been quite different from the past. Although there have certainly been some appalling adaptations created (Iām looking at you Joel Schumacher, why you were ever allowed to create a second Batman film Iāll never comprehend).
Also, I was intrigued by the variations on the Batman logo there and discovered the artist had created a great poster.
Unsurprisingly, the my two favourite logos also happen to correspond with Joel Schumacherās ācontributionā. That may be an inherent bias against the films, but theyāre also crappy logos.
Personally I think the 1977 New Adventures of Batman logo (which as a show was awful, so maybe Iām not too biased re the logos), and the Batman Returns logos are the best two. The Dark Knight is also very strong.
Iām going to go out on a limb here, and state that I donāt believe thatās the original soundtrack.
Iādāve had the left ear folded over, but can also well understand why you didnāt.
Not my artā¦ (the pic links to the artists deviant art page)
I would probably make him more broken and fatigued.
I think artofwei captured the determination that folks mentioned in previous comments - Iām sure that his hypervigilance would not waver with age.
(Perhaps an āold batmanā sketch would be a good subject to get me to finally use the new drawing supplies I received last xmas)