I hope all those saying how much they liked these films have also watched both series of Spaced. That’s where the whole shebang with these 3 started and has been an all time favourite from the moment I watched it broadcast late on C4.
A genuinely British, stylistic, geeky, cultural gem, not mainstream garbage. Get it watched, mate
It’s arguable that Edgar Wright is a better visual storyteller than he is a narrative storyteller; none of his plots are particularly amazing but he is very good at telling them in visually interesting ways. As your link shows, he uses every filmic trick he can.
Compare that to, say, Ridley Scott, whose frames always look amazing but whose narratives are usually tedious and ridiculous and really by the numbers.
I have not seen the Soho one yet. I remember Baby Driver had a great opening scene tightly set to music, I bet Edgar Wright music videos would be awesome.
To your first point, I don’t know, but Spaced is most definitely fabulous and has more accurate pop-culture references than (possibly) any other TV show ever, and it’s funny! It riffs on, and blatantly steals from, everything.
If we’re playing “5 Degrees of Kevin Bacon” here, I know the man who did the titles for Spaced, so I’m still one step away from Edgar Wright
I promise that most times, people aren’t driving through the streets like that… especially out on the highway… mainly cause you can’t… Too many commuters!
I assumed that because Wall’s has the same logo as Good Humor. According to Wikipedia, both are part of something called “Heartbrand”, but Cornetti are no longer a Wall’s brand. Anyway it’s all Unilever.
Kinda why the movie is a bit underrated, yeah? Lulls you in thinking “this is a dumb ‘follow idiots getting shit faced’ movie” then it goes orthogonal.
@euansmith: Here I hadn’t thought Pegg taller than 5’7"!