That was⌠Weird. A bit awkward. The lyric line was so at odds with the rest of the music. I wasnât this to mesh better, but , like the proverbial dancing dog, I am happy it exists
That looks like Sabbath Live in Paris, which I watched on TV as a small child whilst off school sick from inside the âspaceshipâ I had constructed under the table. Changed my life forever that. Daytime TV in the 70s was weird, man.
hmm. this doesnât work for me for some reason. also, holy crap are they young there!
No no no theyâve got the hair all wrong. Itâs all about the hair.
Paranoid? Run!
Developing an ideological framework best suited to preserve an envisioned future full of mash-ups is precisely why I enrolled in that CopyrightX Harvard MOOC⌠As of yet, Iâm still only best equipped to just smile and bob my head, whenever good ones like this pop up.
This is stretching the definition of âmash upâ-- it sounds more like they just recreated the chords and form of âParanoidâ using sounds culled from âI Ran.â
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Look-- listen to the Flock of Seagulls track, then listen to the âmashupâ-- itâs not the same music, they just recreated the âParanoidâ chord changes and riffs and made it sound like the guitars and synths from âI Ranâ â itâs not a mashup, not in the slightest.
Nor I. It sounds like the music has been sped up way to much and possibly key-shifted, just to try and wedge a fit.
I like my mashups au naturel.
If it isnât on tempo and in key, donât mash it.
yeah, exactly. i think the sped-up thing ruins it for me.
I think some of the other ones seen here recently (one of the Bee Gees videos) have also used speed changes. But they werenât as noticeable as this one.
IIRC it was the Pink Floyd/Bee Gees mashup that was sped up. If you know a track well it becomes recognisably noticeable and badly detracts from the enjoyment.
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