According to the post on the museum’s website, that Carla linked to:
Alexandre Lavet’s beer cans were exhibited inside the museum’s glass lift shaft, as if left behind by construction workers.
Here’s a partial screenshot of one of their photos—I added the red circle:
Ah, I guess the other photos must have been from a different exhibition then.
It seems so. Maybe something that Art Review had on file.
“We have now put the work in a more traditional place on a plinth so it can rest after its adventure,”
I initially read “work” as “worker”… then I thought, ‘On a plinth?’ as some sort of punishment?
What the custodian did was simply an aesthetic performance-based expression of his own art. We’ve all sadly missed that.
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