Cast of Twin Peaks revival talk about how their characters have changed in revival series

[tomjoad2020ad]

I can hardly wait to watch this on my phone!

I think you mean, “I can hardly wait to watch this on my FUCKING TELEPHONE!”

[tomjoad2020ad]

Yeah, and it’s always struck me as hilarious the vast gulf between how Sarah Palmer handles the death of her daughter, and how the terminally-retentive Mrs. Ross handles Susan’s death as basically just a reason to confirm her disdain of George.

[anon61221983]

[Haystack]

@Schmorgluck

And this is a fundamental aspect of the show that maybe @Haystack should be warned about: the way the story is told is rather wobbly and convoluted, but if you can receive it as a roller-coaster rather than a train, you can enjoy the wobbliness and convolutedness as being exactly the point.

While I enjoy shows that make me think, I enjoy Twin Peaks as something completely different: a show that makes me not-think, like a koan made for TV.

I’ve found that I enjoy Lynch a lot more when I stop looking for an interpretation and just let the dreamy strangeness wash over me.

[miasm]

Apologies for just assuming I can crowd source an answer to this but should I watch these if I want to remain absolutely unspoiled?

ETA

…in relation to the show.

[Haystack]

Started watching it. I can’t wait to find out what happens with Nadine’s drapes.

[katherinelives]

YES. I have general thoughts about how “mystery shows” and procedurals have trained audiences to search for clues and solutions while watching tv shows. This can mean that audiences miss a lot of tone, texture, and (very often) the point. I think TWIN PEAKS is a case of this.

[jerwin]

That’s just how I experience film these days.