Good Omens is amazing

I was also hoping to love it, it’s a favorite book that I bought when it was first published and have re-read many times. I loved the BBC radio play, but the show did not click with me at all. I keep reading rave reviews and wondering why I’m not one of them. Part of it is I thought that the narration of God didn’t quite get the right tone, and the first 20 minutes of episode 3 where they went into huge detail of Azriphale & Crowley’s history (a single paragraph in the book) felt extraneous. They also didn’t seem to spend much time with the kids at all. Michale McKean seemed very miscast as Shadwell as well.

I’m glad so many people are enjoying it and that the book is finally on the best seller list, but the show disappointed me. Ah well, can’t like everything :slight_smile:

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“What a shocking bad hat!” I just want to give a shout-out to the book where I discovered this catchphrase, Extraordinary Popular Delusions and the Madness of Crowds. Full of odd treasures like that.

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Aziraphale: “I just need to find a receptive body. It’s harder than you think.”

Crowley: “Oh, I’m not gonna go there.”

Aziraphale: “I do need a body. Pity I can’t inhabit yours. Angel, demon. We’d probably explode.”

Crowley: “Bleagh”

Aziraphale: “So, I’ll meet you at Tadfield. But we’re both gonna have to get a bit of a wiggle on.”

Crowley: “Whah?”

Aziraphale: “Tadfield. Airbase…”

Crowley: “I heard that. It was the ‘wiggle on’.”

Aziraphale poofs

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"Don’t talk to me about the greater good; I’m the Archangel fucking Gabriel!"

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Dug it, having never read the book.

Points for:

  1. Queen songs played at semi-regular intervals
  2. Good actors assigned suitable tasks (act drunk, adopt comical accent, pretend to drive flaming automobile, etc.)
  3. Nice shirt ceaselessly worn by antichrist that I would like to have and maybe wear less often
  4. BBC-quality special effects
  5. Presence of Dorothy from that Emerald City show that didn’t really work out but it wasn’t her fault
  6. General niceness maintained despite intimations

Points off for:

  1. Unpleasantly encrusted demons
  2. Insufficient Agnes Nutter content
  3. Eternity, absent so much as a single kiss ;_;
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There is a bit in the book that mentions all tapes left in Crowley’s car turn into Queen’s Greatest Hits

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Crowley briefly considered putting the tape on which he’d trapped Hastur into the Bentley. He decided against it because he might be a bastard, but you could only go so far.

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As a fan of the book, I really enjoyed it too - and my wife did, which I consider a success as she isn’t a Terry Pratchett fan.

I think some of your criticisms are valid, and I would have liked less narration and more visual gags - I wonder if a desire to stick pretty closely to the source material hampered here (particularly if there was a desire to ensure some of Terry’s gags got in). There were a few they could have easily got in but didn’t - I was disappointed that they didn’t have death refuse to answer the “When did Elvis die” question, for example.

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jwz did nae like it cap’n!! he did nae like it!!

The thing I will miss most about this series being over is that I cannot recall any show that was able to make me fall asleep more quickly. I think I must have started watching each of those 6 episodes 4 times each before making it through any of them. As to the show… Eh. I read the book but don’t remember anything about it other than: I didn’t like it much – which was also true of American Gods. This show is not nearly as good as that American Gods show. It was American Gods Lite, maybe. Diet Gluten-Free American Gods Fun Size.

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Spoiler alert

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Incredible. Simply incredible.

You are not alone. As other commenters have mentioned it felt very dumbed down and way too much exposition. I try not to be the that-wasn’t-in-the-book! guy but the new stuff seemed very stilted and heavy handed (which is exactly how I’d describe the little Neil Gaiman I’ve read). On the other hand, my wife and daughter seemed to enjoy it.

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What a perfect summation of how I feel about pretty much any adaptation, and why I tend to avoid them like the plague - at least if they’re adapting a book I care about. I wish they’d just concentrate on making an original work suited from the start for the strengths of the medium and quit shoehorning, watering-down, abridging and bastardizing works that were made for the page, forever imprinting someone else’s (or some focus group’s) singular vision of the work on everyone who comes to it later.

I made the mistake of watching the LotR movies, and while they of course did a good job, they’ve ruined the books for me. I remember my first readings had a magical, hard to describe internal imagery that was personal to me (kind of a mostly monochrome Maxfield Parish ambiance) that I’ve never been able to recapture in re-reading since Peter Jackson’s interpretation overwrote it.

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Of course Michael McKean has been in a lot of great stuff. And I love him in all the things you mention. But I, too, can’t but think of him in Laverne & Shirley, where he and David Lander raised the bar for an otherwise meh sitcom. We even saw the beginnings of all that great music in Lenny & The Squigtones. I had their LP, which is criminally unavailable these days.

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I really liked the film version of Fight Club even though I first loved the novel. For me, the choices they made that suited film better really worked. Another where the film is as-good-as-but-different-to the original printed work is Akira. Otomo really accelerates the story to concentrate on the pertinent elements. You do lose the long arc character and setting building, but the film is not worse because of having done so.

B
PS. Not convinced by the Good Omens adaptation yet and the fact that if you’re not with the Amazon eco-system they make it artificially hard to watch on the telly.

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Easy. Patriot Games was FAR better in film than in print. Low bar, I know - the book TOTALLY SUCKED!

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Listed to audio version several months ago to refresh, laughed continuously (funniest bit to me was the conversation about whale brains). Watched the series, laughed maybe two or three times. Hung in there, but it was really only interesting whenever A and C were onscreen together. Adam was much more of a dolt in the book. And I just couldn’t picture anybody but Matt Lucas from Little Britain in the role of Madame Tracy (sorry Miranda). Clever new twist at the end with the holy water/hellfire thing. Not bad, not great.

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I know him from all of those, but for me, my memory’s go-to role for him is Mr Green in Clue.

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