Oh, you mean ■■■■■?
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What, the word “mօist”?
Certain aspects of life would be utterly ruined without it.
Won’t anyone think the of all the cakes and holiday turkeys???
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I’m sorry @orenwolf for the contentless post, but when else am I going to get a chance to use these?
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C’est humide!
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Okay, I’m done derailing now.
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A long time ago I saw a quiz that asked if the word “■■■■■” or “used” was more gross. Apparently this was a surprisingly reliable indicator of gender (like about 70-30 - men don’t like “■■■■■” and women don’t like “used”). I talked to some people about it and basically it has to do with what you think of when you think of the word. Cake: ■■■■■ good, used bad. Couch: used fine, ■■■■■ bad.
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Must… resist…
Couldn’t. Hope Ken isn’t putting me on the bench. Just could not…
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Well that got outta hand quickly!
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Would you prefer your birthday cake to be:
- Sodden
- Damp
- Wet
- Clammy
- Soggy
- Dank
- Mоist
0 voters
Would you prefer your lover to be:
- Sodden
- Damp
- Wet
- Clammy
- Soggy
- Dank
- Mоist
0 voters
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I hadn’t heard that one in years.
And is that the late, great, Snakefinger on guitar?
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■■■■■ we?
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No sir, the very great Fred Frith, who had a brief spell with Ralph Records around the time this LP came out. I actually thought it was Phillip “Snakefinger” Lithman myself when I first heard this song, he is on other songs from this LP but doing vocals. If you know Fred Frith then it becomes obvious from the sound/style that it’s him.
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Liberté, égalité, humidité!
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Ah. Have the names of band members (at least up through Duck Stab) been identified yet?
I recall one Joe Frank radio show sketch (a very funny and strange lounge song parody) where its singer sounded identical to the main singer in ‘The King and Eye’. I may do a bit of research there; a list of performers in the sketch may cough up the name… maybe.
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