Got around to seeing Jim Jarmusch’s zombie film, the Dead Don’t Die. It was like he was making a zombie film that takes all the tropes of bad zombie films, but with an A-list cast.
Also, finally saw See you Yesterday, which was a great film.
And rewatched Killer Klowns from Outer Space, which is as bad and funny as I remember…
Halfway through the second season of Altered Carbon.
One point that jumps out at me:
Despite the second season setting being ~30 years in advance of season one, it appears that there has been little to no political or technological change in the interval.
I’m undecided as to whether this is just lazy writing, or if it’s instead a deliberate choice to reflect the paralysis of the decadent Meth-controlled society.
Been watching Netflix’s Comedians of the World, where comedians from around the world have 30 minute sets. The most recent country set we watched was Germany, which had Enissa Amani, who also has a full concert on Netflix:
But this guy was hilarious, too…
He did lots of his stuff on languages of Europe, which was surprisingly funny. I was rolling. He might have some stuff up on youtube with English subtitles, but if you have Netflix, his 30 minute set is worth watching.
Half-way through Sam Esmail’s “Homecoming” with Julia Roberts, and really enjoying it. It has the same distant, alienated vibe as Mr Robot, but without the regular mindfucks. It does have the same genius cinematography and symmetrical shots though, like a dark, midwinter Wes Anderson.
For anyone who is familiar with Emilie Graslie, host of the educational YouTube show The Brain Scoop (which got folded into the Field Museum’s educational outreach programs a few years ago), she has a new miniseries on PBS called Prehistoric Road Trip that I highly recommend. It’s fun and educational and there’s dinosaurs and all kinds of other fossils and some good segments reckoning with and discussing the implications of paleontology’s long history of disrespect for tribal authority over their lands and the fossil material found there.
It’s free on the PBS video app on most platforms, and should also be available to watch on the PBS website.