I found a locked safe hidden at the back of a closet in my new house

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Am I the only one who likes to get drunk and do my own MST3K version of Schindlerā€™s List?

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Some critics say that itā€™s not misogynistic. Some critics say that itā€™s a beautiful film. Some say itā€™s a sensitive portrayal of depression. But I couldnā€™t put my scientific mind away long enough to ignore the implausibility of the setting-- (A very large mass will crash into the earth, soon, and it will all be over.)

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Darn: the coupon has already expired. Oh, well. :wink:

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livestream or it didnā€™t happen :wink:

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That movie for me was Man Bites Dog. It was apparently supposed to be wry media commentary, but itā€™s just abysmally sadistic way beyond whatā€™s necessary to make a point and has zero other redeeming qualities. I would honestly recommend that nobody, ever, see this movie.

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I had a nightmare about Melancholia after just seeing the trailer. Soooo probably wonā€™t see the movie.

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I was talking about Antichrist as being misogynistic. I vaguely remember the talk around Melancholia when it came out, though. Iā€™ll get around to it one day, I guess!

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Glad I never saw it thenā€¦ though Iā€™d heard good things about it.

Just what did you agree to do to get him to open the safe? (Not that Iā€™m suggesting you should stop.)

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Boing Boing Store coupons.

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I liked it a lot, although itā€™s been more than 20 years since I last saw it, I might think differently of it now.

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I usually do a Rifftrax of The Unbearable Lightness of Being.

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Too late.
Seriously, most films somebody hates were part of required viewing (or at least a portion for class discussion) in my Film and Media Studies courses.
Of course, MBD was part of our section on documentary.

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ugh. I had entire classes that were deliberately composed of movies many people hate. And that were deliberately constructed for people to hate. Thatā€™s how I ended up watching Werner Fassbinder scratch his balls and talk on the phone for twenty minutes. Twice.

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I shall be busy preparing for the blessed eventā€¦

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I saw Melancholia, but donā€™t really remember it having much impact on me. Von Trier strikes me as someone who might have painted himself into a corner, career-wise.
Dancer was spectacular, The Five Obstructions equally so, but I think after Dear Wendy things started to taper off. I got through Nymphomaniac I, but havenā€™t really had the heart to plug into II.

Personally, I think what made Dancer so great was the fact that Bjƶrk held such a major piece of it. A base comparison, I know, but without her, it would be like A Nightmare Before Christmas without Danny Elfman.

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Is it as good as The Unbearable Lightness of My Beautiful Left Foot?

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Either way, I am so glad for my introduction to Guy Maddin. As for Godard, I simply couldnā€™t absorb it.
I was even invited to take a masterā€™s-level course about Godard taught by the video artist and filmmaker Harun Farocki, but it (subject matter Godard) was about as excruciating as waiting for Robā€™s safe to be opened.

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