The other day I was idly watching wasps get trapped in a one way passage, and your description of the human narrative for that piece, matches pretty closely what I imagine for those poor wasps. Except yours has a happy ending.
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Now, about that waxy complexion…
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You’re obviously not an inane artist with a question like that.
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Where did the museum get an 8 foot drop to place this in? The floor looks concrete from the photo, but i can’t imagine any MoMA – even at its most pretentious – would jackhammer out an eight foot hole in the floor.
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And it’s not even cool like this one. Bask in the blue:
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That man’s lucky the museum has a catch and release policy.
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My thought exactly. I went to the museum’s site and it stated his pieces are outside, but they show a small white building. Is it possible that this is a pit dug into the ground, with a small building built over it?
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Is Spinal Tap aware there is something blacker?
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If it’s not dangerous, it’s not art.
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And dangerous paints are old school.
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That’s the pits.
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But… the blacker the cooler, right?
And… Yves Klein must have been an asshole too…right?
I mean, I don’t know for sure but, maybe?
Plus, the guy who fell must be a dick because if it was just paint on the surface his scuff marks would ruin the illusion for everybody.
Butt holes all the way down.
Oh, except for Bob… he was alright in my book.
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He’s a natural born poet, he’s just outta sight.
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Is there a pendulum too?
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