Take a look at this retro ad for Star Trek Christmas ornaments

Two points of pedantry:

  1. All these warships in space should be coated/clad in a material that will camouflage them in space. Interestingly theyd be cloaked in something that would inhibit detection in the UV+ bands and IR- bands, since any data entering a sensor will be greatly red-shifted or blue-shifted by motion. Enterprise gets a pass because it is a vessel of scientific exploration.

  2. When these spacecraft are shown moving through space, what is the source of illumination? Theyre typically light years from the closest stars.

Admittedly adhereing to the two statements above would make for TV that is difficult to watch.

3 Likes

Blockquote 1. When these spacecraft are shown moving through space, what is the source of illumination? Theyre typically light years from the closest stars.

Studio Lights? :wink:

2 Likes

The light comes from the same ether that allows sound transmission.

3 Likes

The enterpise actually also had two different colour schemes. They repainted it for Generations to a blue theme with more detail for the big screen. The series one had the greener “aztec” details.

Basically colour in trek are whatever the person doing the post work decided and seems to have little to do with the studio model. The lighting tended to wash everything out anyway. Pedantry aside (I do like some good pedantry) the Warbird will always be green (screen apprearance) to me.

1 Like

Nimoy actually featured in the commercial for that one. (Surely people have not forgotten?)

Next year they set their aims lower and went with Nurse Ogawa from TNG.

On that note, remember when Harlan Ellison demanded royalties for the Guardian of Forever ornament?

And for completeness, let’s not forget the highly controversial choice of the “Spock’s Sacrifice” ornament.

2 Likes

That sounds more like a Good Friday kind of thing

This topic was automatically closed after 5 days. New replies are no longer allowed.