Equally plauible: he had already cracked by the time the show started.
A running theme in The Prisoner was that Number Six couldn’t trust anyone or anything to be what it appeared to be, including his own perceptions. “It was all a dream/chemically induced hallucination!” would have made as much sense as any other ending.
My favourite TV show for sure. It’s the last two episodes that push it over into personal legend status. Watching the grand thesp-off in the playroom had me yelping with surprised delight the first time I saw it.
I’ve always felt that there was no straightforward “explanation” that wouldn’t be a let-down to the ridiculous and confounding atmosphere of the show.
I remember reading somewhere that Dr. Strangelove was originally intended to end with a slapstick pie-fight in the War Room. That seems to be of a world with the Prisoner ending: Dig deep enough into the collective institutional consciousness and you enter a realm of inhuman and dangerous insanity.
Which is why the buffet table in the War Room scenes is stocked with such an unusually high number of baked desserts in proportion to the number of people present.
This image was in an article about David Tennant playing Bond in an upcoming Comic Relief sketch. I’m looking at it and thinking that I could get behind this being part of an article about a The Prisoner reboot. Number 6 or even a Number 2. If he executive produces, he would probably fight to make it the right tone.
Considering the cultural impact Lucas made with the Star Wars films and how ubiquitous references to it still are today, there shouldn’t be a Mount Rushmore of genre filmmakers if George Lucas is excluded from it.
I hear you but: it’s Lucas and his biggest impact on film is that there wouldn’t be an actual Mount Rushmore but rather a special effect emulation of it.
Like when he returned to Star Wars he recreated the set for Babylon from DW Griffiths Intolerance digitally and on the cheap for Naboo in it.
He knew what he was doing.