He just did the main theme for Arrival iirc. Johann Johannson did the bulk of the score.
In my work there’s a primary school next door and when the windows are open and the kids are out playing we put this on:
And look wistfully and regretfully into the distance and ask ourselves in the quiet of our hearts “where did it all go wrong?”
Which always makes us chuckle.
Oh and a word for his Sleep, I’ve “listened” the that a whole bunch of times. I believe Testament of Youth was the score that people were told most that they wanted one like that.
Oh, and while we’re talking about classical sounding scores I listened to this last week and it’s great:
Also @Jesse13927 what an amazing episode that was! Wonderful. Really took the rug from under zombie apocalypse fatigue and made it heartbreaking again.
And… for hip-hop fans… Our local public radio host Rose Scott will be celebrating the 50th anniversary of hip-hop with a series of shows on the history of the genre (told mainly via interviews)… the first one was today, and it will run every Friday to August…
This week witnessed the destructive potential of AI in action as someone thought it’d be a good idea to bring brainless Britpop bores Oasis back from the dead.
Chris Woodgates and Bobby Geraghty, formerly of Hastings-based Oasis wannabes Breezer, released “AISIS - The Lost Tapes / Vol.1” last Friday, which they describe as “an alternate reality concept album where the band’s 95-97 line-up continued to write music, or perhaps all got together years later to write a record akin to the first three albums, and only now has the master DAT tape from that session surfaced.”
RIP, Linda!
